Public Scholarship

Currently, I've been thinking a lot about "public scholarship." I am involved in kicking off a brand new Mellon Teaching Fellowship that has, as a major criterion of approval, a component of "public scholarship" to be built into the proposed course.

The best definition of public scholarship that I could find comes from Imagining America, a national advocacy and professional institution for publicly engaged scholars:

“Public Scholarship refers to diverse modes of creating and circulating knowledge for and with the public and communities. It often involves mutually-beneficial partnerships between higher education and organizations in the public and private sectors. Its goals include enriching research, creative activity, and public knowledge; enhancing curriculum, teaching and learning; preparing educated and engaged citizens; strengthening democratic values and civic responsibility; addressing and helping to solve critical social problems; and contributing to the public good.”

I have a few friends who care deeply about engaging in great scholarship and also answering the "so what" question, i.e., the relevance of research and scholarship not only for the sake of knowledge or the academy (though those things, in and of themselves, can be valuable), but for the local or global community(s).

A few days ago, The Chronicle of Higher Education published an online piece titled, "'The Academy Is Largely Itself Responsible for Its Own Peril,'" a quote taken from the interviewee of this article. The subject is Jill Lepore, who is currently listed as the David Woods Kemper '41 Professor of American History at Harvard University. All that to say, while her field is far afield from my own, she knows what she is talking about on the "scholarship" ("academic") front. On the "public" side of things, she appears to be a regular contributor to The New Yorker. What I appreciated from this interview, however, is not what she said about her academic works, as important as they may be within her guild, but what she said about the state of "the academy" writ large. She has been at Harvard for 15 years, so it's safe to say, she has witnessed the changing landscapes of higher education.

She observes an "epistemological shift" vis-a-vis knowledge, a transformation from facts to numbers to data.

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JL: That transformation … traces something else: the shifting prestige placed on different ways of knowing. Facts come from the realm of the humanities, numbers represent the social sciences, and data the natural sciences. When people talk about the decline of the humanities, they are actually talking about the rise and fall of the fact, as well as other factors. When people try to re-establish the prestige of the humanities with the digital humanities and large data sets, that is no longer the humanities. What humanists do comes from a different epistemological scale of a unit of knowledge."

Q: How is the academy implicated in or imperiled by this moment of epistemological crisis?

JL: The academy is largely itself responsible for its own peril. The retreat of humanists from public life has had enormous consequences for the prestige of humanistic ways of knowing and understanding the world.

…

Q: You did your graduate work at Yale in the early ’90s in a post-structuralist American-studies department. You read a lot of Derrida and Foucault. You’ve said that you grew uncomfortable with how you were trained versus how you wanted to write.

JL: … Like any Ph.D. program, what you’re being trained to do is employ a jargon that instantiates your authority in the abstruseness of your prose. You display what you know by writing in a way that other people can’t understand. That’s not how I understand writing. Writing is about sharing what you know with storybook clarity, even and especially if you’re writing about something that’s complicated or morally ambiguous. Also, I like to write about people who are characters, who have limbs and fingers and toes and loves and desires and agonies and triumphs and ages and hair colors. But that’s not how historical writing is taught in a Ph.D. program.   

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The entire interview is worth reading but two things stood out to me here which I excerpted: (1) the retreat of humanists from the public arena; and (2) the deployment of jargon to obfuscate. I find both of these things highly frustrating and wonder about my own complicity in system(s) that perpetuate this.

I study ancient texts and ancient peoples, but if Christianity (ancient or modern) are examples of ways of "being" human in the world, I wonder if there are ways I could write essays/books or teach courses that can address these issues in my own very small way. I have more to say about public scholarship, but this will be it for now.